You were a totally random guy that posted your song on some of the FB groups for dnb music, until I have clicked and listen to your tune. Sound was amazing, then I clicked another one… and long story short you made a mix for Skopje Urban Beats.
1. Please tell us about yourself, where are you from, and what is your Junglist story?
Hi hi, my name is Dorian I'm 25 years old and I am known under the suspect name SNAP.
I come from Rijeka, Croatia and my story starts around 6 years ago I think, when a friend of mine introduced me to dnb station - BassDrive.com. I really liked the sound of liquid drum & bass and started to listen more and more of it, and eventually became addicted to it haha
When talking about Croatia, these past few years you are blossoming with festivals, but somehow information about your drum and bass scene seems neglected. Except the existence of few crews, there are no info’s or some sort of a scene report.
2. Can you tell us something about the drum and bass scene in Croatia, and in your home town in Rijeka?
Yeah that is true, more and more festivals are coming around us, it's just crazy. Every summer we have a new festival haha. Well the scene is not big in Croatia, but there are a'few' peoeple around who keep it running and keep the spirit up. And in Rijeka the scene is really getting better! There are dnb parties almost every month and we host big International guests on a regural basis. Last weekend we had SpectraSoul for second time in Rijeka. The people here love dnb scene so it keeps getting better and bigger.
As I said earlier I loved the sound that you are producing.
3. What equipment do you use for your own production?
Equipment? I wish I had one haha, I have 50€ worth headhpones and Ableton. But I'm planning to "equip" myself with soundcard and midi keyboard in the near future. Oh, and monitors, can't forget monitors :)
4. Have you released anything by now / future releases?
(By reading some info about you online, in a few years you have released tracks, played with lots of DJ names and so on.)
Haha nah, not few years, I just got into production, like a year ago. But I have released couple of tracks so far yeah. Track EVE, was released at July for Dubtastic Records, Don't Let Me Go was released last month on fresh Label called Limitless Recordings definitly worth checking about whole album of varius artists such as Loz Contreras, Submatik, Keeno just to name a few. I got few upcoming releases at Offworld Recordings, Liquid Drops and Konfront Records. Its gonna be a busy winter thats for sure!
5. Are you satisfied with your current success?
This year has been by far the most successful one with many great releases. So I have to say I'm more than satisfied with how the things are going for me.
Although I wouldn't call this success, Producing is just a fun hobbie in which I put a lot of free time and effort, it's something I really enjoy working and I'm always aiming higher.
6. What are your favorite tunes so far?
Hmm, I think I will go for 'Ocean View' which you can hear as the first
track in mix for your podcast, but I really like 'Don't Let Me Go'which
has lovely vocals by Nina Davis.
Thank you for your podcast, and the interview.
Thank you Skopje Urban Beats crew for having me on your show! big upssss!
Објавениве материјалите се наменети за промотивни цели и лична употреба. ©
2013 Авторот ги задржува сите права и секое неовластено објавување и
препечатување на материјалите ќе се смета како повреда на авторските
права на авторот и повлекува консеквенци за прекршителот.
Tuesday, October 8, 2013
Friday, June 21, 2013
S.U.B. Podcast #26 DubWalkers (Serbia)
SUB: Dub Walkers please introduce yourself. Who is behind this music project, and how did it start?
DW: Hello ! We are two mates from same neighbourhood in Belgrade, Vlado (kicbea) and Nemanja (shonze) who developed the similar taste for certain kind of music genres that are heavily impacted by elements of dub/roots culture. The project started spontaneously with the idea of recording a dub techno mix, just for the taste of it, as a break from the standard dnb mixing we did for Don’t look Back show on nofm.rs internet radio since 2011. As a part of nofm.rs collective, alongside neighbour/colleague Manovski, we started a dubtechno/techno club night called ‘dubine’. So we ended up with creating an alias ‘DubWalkers’ as an output to everything that has its musical base in original dub sound.
SUB: Both Of you are into drum and bass / jungle sounds, why the sudden change?
DW: The engagement in dnb/ jungle is somehow official with the weekly shows on nofm.rs and jungletrain.net and record label we recently started. So we don’t see it as a change, more like the need to be more active and involved in different kind of music we are also interested in.
SUB: Future plans with this project?
DW: In the near future we’ll be focused on organizing ‘dubine’ club night and playing on them, as well as occasionally recording mixes. We are working on our own production and having thoughts on releasing it later on a sub-label, but that’s more like a loose plan ..
Sub: You are also co-founders of the independent label Reminiscence Audio, how did you started the whole thing, and how is it going by now?
DW: The label was created in 2011 by the two of us and Ivan Gogoski (Breaksta). The idea behind Reminiscance Audio is to spread a certain atmospheric approach to the production by connecting the work of specific artists into properly arranged set of releases. Upcoming music is by artists at the forefront of current atmospheric jungle scene. Highly respected producers including Terminus, Fushara, Dave Hoax and Jason oS/Daat all have forthcoming tracks on Reminiscence Audio. A retro series is also planned with music by 2D33P (Legendary DJ Trace and ground breaking producer Voyager aka Pete Parsons), Scape, Kid Lib, Tim Reaper and Dwarde amongst more globally recognised architects and pioneers of sound. Watch out for Terminus – Perspectives EP & Fushara – Alpine Descent EP
SUB: Is it tough to run an independent label?
DW: RUFF AND TUFF, MON ! :D :D :D Joke aside, the great deal of work is done through e-mails and other sorts of virtual communication, as well as online scheduling releases so basicly it’s mostly sitting in front of a laptop.
SUB: Do you have your own production ongoing?
DW: Not on regular basis and without any strict plans. At the moment it’s more like playing with the sound and experimenting the depth of it.
SUB: Is all the trouble worth it? Why do you love DNB?
DW: On a personal level it is, because it’s more than satisfying when you are able to do the stuff you love . We connect with people globaly through dnb as a music medium. And we are all bound by the powerfull sounds of cutting breaks and deep bass.
By Skopje Urban Beats June 2013.
Thursday, June 13, 2013
S.U.B. Podcast #26 The BassMighty Kreatorz (Tetovo/Macedonia)
SUB ::: How did you start working together, tell us about the time before the BassMighty Kreatorz.
- First of all, thanks for the invite for guest mix from us, we were more than satisfied to do that for you. Me and Nikola ( MC Sam, ½ from TBMK’z) know eachother for quite long time. Hip hop connected us, worked some music together, we both showed interest in music production so we started working on some hip hop projects, since the end of the hip hop golden era in Tetovo. After that I started to show interest in drum and bass and Nikola in dubstep. First we worked separately, and than I got an idea of working together as a production duo for Drum and Bass and Dubstep music. January 2011 was the time that we started to work, until now and still moving on.
SUB ::: Do you have any of your production released?
- In the field of releasing music, we had a couple singles released, one of them unfortunately for non-existing label anymore, and one for Dirt Lies and Audio Black Records. We didn’t pay very much attention to releasing, until we find the correct sound and right way of production the music we love. Now we are trespassing some boundaries of music production, and finally we think that we have the correct choice of DAW’s and other sources.
SUB ::: Any new releases, as a bassmighy or solo acts?
- Hopefully, until mid-August this year we plan to release all the stuff that we have done before, and it is unreleased, and some new stuff that we are working on. Still don’t know precise about labeling and all that stuff, but we’ll probably go for the best option. Also we’ll work on our DJ sets from now on, since from this one we saw that people are interested in MC-ing also, we’ll go and work on our DJ+MC set. About solo acts, MC Sam is working on solo tunes, as Sam, hip hop and fusion combinations, but about drum and bass and dubstep, we’ll always go as The BassMighty Kreatorz.
SUB ::: How does the urban music have its effect on Tetovo. Does the youth from Tetovo accept your sound or sound of similar crews?
- Hmmm, I have so much to say about this, but let’s not open old wounds and start this conversation. I can only say that people that like this kind of music support us and are following us. I’m not disappointed from the fans of this kind of music at all, I can only say, that we’ll try to figure something out for better acceptance.
SUB ::: Anything you want to add?
- I want to thank Skopje Urban Beats for this opportunity for promoting our style and music, I hope that people will like it. Also big thanks to NZS Production from Tetovo, for recording the vocal part of this mix, big thanks to my man Enko. Soon you can expect new music from The BassMighty Kreatorz, until than … ;) (Y)
Wednesday, May 22, 2013
S.U.B. Podcast #23 Nutty Fiyah Sound System (MK)
SUB: Well, don’t know how to say this, the studio session that you
guys have made truly rocks. I was skeptic at first because of the levels
of the microphone, but after 5 minutes you just blend in the session.
Did you all had fun while recording it?
* Greetings to one and all. Musically inspired we were conquering new horizons, in that session we put much energy to mek it sound live and direct like on a show. Running and jumping through the studio, that is how we managed to hold onto the jump up style and produced the lyrics. A likkle spliff mek it more hotta, seen.
SUB: How long does Natty Fiyah exist, and how did you come to the idea to create a sound system?
* We founded Natty Fiyah in 2009, which makes 4 years by now. The main idea was to make a reggae sound system and promote that musical vibez through our likkle country. As shows were flowing we realized that we can mix the reggae sound and vocals with some other similar genres that could mix good with the reggae like jungle and drum’n’bass. So now we mek a foundation inna reggae style and then move on through dub music all the way to the massive jungle.
SUB: Where have you played as Natty Fiyah Sound System?
* Throughout the year 2009 the sound system rocked only on homestead locations throughout Macedonia, Tetovo, Skopje, Prilep, Bitola, Ohrid, Kumanovo. And then in 2010 we managed to go on tour with Conquering Lion, and said let’s put Natty Fiyah in the whole story too so we did some support warm-up parties throughout the Balkans where the band was touring.
SUB: The first time I have seen you performed, was at a party in Kapan An. My jaw dropped as I saw the first guy that ever climbed the stage and performing on a drum and bass music, and he didn’t sucked. You just blend in… from where do you draw your energy for performing?
* When I turned from roots to singjay style and combined them both I started producing more powerful flow and could rock it steady like that for hours, the main engine that drives me is wiping off the corruption of Babylon that has been placed upon this world, so when I’m on the stage, me draw pictures in my head and speak them lyrically to the people so dem can get the message, understand it and wake up from the slumber. In the end what gives the spice is the fast drum and bass riddim that is constantly bumping up.
SUB: You have just released a new single “Wicked Man”. Tell us something about third album of Conquering Lion that is in preparation?
* Yes I. It’s been 2 years since the last release, and we switched some members and now there is this fresh energy that made us work on our third release. It will be called
“Revelation” to reveal the truth behind the lies seen. The album itself will be like a story and “Wicked Man” is the beginning of it. The concept is to tell about the wicked and corrupted things, but also to explain how to avoid and do something different than that. So when you play it, it should sound like you are reading a book and all the songs are connected between themselves like topics in a book. The album will be recorded in Macedonia but it will be mastered in France. The release date is yet to be scheduled but most likely it will be sometime in September.
SUB: Don’t know if someone ever asked you by now, what does “Conquering Lion” stands for; is it something more than just a name?
* This is a question that has not been asked very often, so I will take my minute and explain to the bredrin’ and sistren’. Conquering Lion stands for the ideology of Rastafari Movement (African Zionism) through their songs. Rastafari ideology (African Zionism) is an ideology that fights for freedom of the human race. It means no politics, no government, no presidents, no police, no church*, no kingdoms, no authorities, no hierarchy… So, with this “plan of living” and social organization, Rastafari ideology has completely anarchistic attributes. It demands freedom of whole human race and love and harmony in every (and between) every human being. We use the similar terms and phrases as American/Jewish Zionism, but we have completely different meaning in the background of it. Seen.
SUB: I must say that the sound of the “Conquering Lion” and the whole band has progressed into a serious act. Are you satisfied of the bands progress and do you think it is accepted enough by the Macedonian public?
* Yes bredah’, at the current time we be working with full steam and produce massive sounds, since all the bredrin in the band have taken the act seriously and we will produce even better sounds in future. The situation in Macedonia it is very rough and tough when it comes to audience since people don’t have high salaries and most of them are unemployed so sometimes it’s hard to see many people on a concert, but still there are people who are supporting us in many different ways. What pleases me is that there is no age limit for our music, there are older people that listen to us and there is the younger generation as well that support us. The situation in Macedonia will grow even higher in the upcoming years I am sure of it.
SUB: These previous years the whole band was touring trough the region. Are you about to embark on a new tour?
* Yes the Lion can’t sit upon one place him must conquer. After the release of the third album we are planning to do a European tour this October/November. It will be a nice journey and we can get to know better with the new members. Live and direct inna di Ras mobile.
SUB: Thank you very much for the interview and the hyper magic set that you guys have made for Skopje Urban Beats. If you have something to add please…
* Give thanks for your time, patience and energy to make this interview and give it to the people out there. Conquering Lion and Natty Fiyah bless ya all out there and give thanks for your support through all this years. Stay strong me people!
For S.U.B. made by D.S.
Објавениве материјалите се наменети за промотивни цели и лична употреба. © 2013 Авторот ги задржува сите права и секое неовластено објавување и препечатување на материјалите ќе се смета како повреда на авторските права на авторот и повлекува консеквенци за прекршителот.
* Greetings to one and all. Musically inspired we were conquering new horizons, in that session we put much energy to mek it sound live and direct like on a show. Running and jumping through the studio, that is how we managed to hold onto the jump up style and produced the lyrics. A likkle spliff mek it more hotta, seen.
SUB: How long does Natty Fiyah exist, and how did you come to the idea to create a sound system?
* We founded Natty Fiyah in 2009, which makes 4 years by now. The main idea was to make a reggae sound system and promote that musical vibez through our likkle country. As shows were flowing we realized that we can mix the reggae sound and vocals with some other similar genres that could mix good with the reggae like jungle and drum’n’bass. So now we mek a foundation inna reggae style and then move on through dub music all the way to the massive jungle.
SUB: Where have you played as Natty Fiyah Sound System?
* Throughout the year 2009 the sound system rocked only on homestead locations throughout Macedonia, Tetovo, Skopje, Prilep, Bitola, Ohrid, Kumanovo. And then in 2010 we managed to go on tour with Conquering Lion, and said let’s put Natty Fiyah in the whole story too so we did some support warm-up parties throughout the Balkans where the band was touring.
SUB: The first time I have seen you performed, was at a party in Kapan An. My jaw dropped as I saw the first guy that ever climbed the stage and performing on a drum and bass music, and he didn’t sucked. You just blend in… from where do you draw your energy for performing?
* When I turned from roots to singjay style and combined them both I started producing more powerful flow and could rock it steady like that for hours, the main engine that drives me is wiping off the corruption of Babylon that has been placed upon this world, so when I’m on the stage, me draw pictures in my head and speak them lyrically to the people so dem can get the message, understand it and wake up from the slumber. In the end what gives the spice is the fast drum and bass riddim that is constantly bumping up.
SUB: You have just released a new single “Wicked Man”. Tell us something about third album of Conquering Lion that is in preparation?
* Yes I. It’s been 2 years since the last release, and we switched some members and now there is this fresh energy that made us work on our third release. It will be called
“Revelation” to reveal the truth behind the lies seen. The album itself will be like a story and “Wicked Man” is the beginning of it. The concept is to tell about the wicked and corrupted things, but also to explain how to avoid and do something different than that. So when you play it, it should sound like you are reading a book and all the songs are connected between themselves like topics in a book. The album will be recorded in Macedonia but it will be mastered in France. The release date is yet to be scheduled but most likely it will be sometime in September.
SUB: Don’t know if someone ever asked you by now, what does “Conquering Lion” stands for; is it something more than just a name?
* This is a question that has not been asked very often, so I will take my minute and explain to the bredrin’ and sistren’. Conquering Lion stands for the ideology of Rastafari Movement (African Zionism) through their songs. Rastafari ideology (African Zionism) is an ideology that fights for freedom of the human race. It means no politics, no government, no presidents, no police, no church*, no kingdoms, no authorities, no hierarchy… So, with this “plan of living” and social organization, Rastafari ideology has completely anarchistic attributes. It demands freedom of whole human race and love and harmony in every (and between) every human being. We use the similar terms and phrases as American/Jewish Zionism, but we have completely different meaning in the background of it. Seen.
SUB: I must say that the sound of the “Conquering Lion” and the whole band has progressed into a serious act. Are you satisfied of the bands progress and do you think it is accepted enough by the Macedonian public?
* Yes bredah’, at the current time we be working with full steam and produce massive sounds, since all the bredrin in the band have taken the act seriously and we will produce even better sounds in future. The situation in Macedonia it is very rough and tough when it comes to audience since people don’t have high salaries and most of them are unemployed so sometimes it’s hard to see many people on a concert, but still there are people who are supporting us in many different ways. What pleases me is that there is no age limit for our music, there are older people that listen to us and there is the younger generation as well that support us. The situation in Macedonia will grow even higher in the upcoming years I am sure of it.
SUB: These previous years the whole band was touring trough the region. Are you about to embark on a new tour?
* Yes the Lion can’t sit upon one place him must conquer. After the release of the third album we are planning to do a European tour this October/November. It will be a nice journey and we can get to know better with the new members. Live and direct inna di Ras mobile.
SUB: Thank you very much for the interview and the hyper magic set that you guys have made for Skopje Urban Beats. If you have something to add please…
* Give thanks for your time, patience and energy to make this interview and give it to the people out there. Conquering Lion and Natty Fiyah bless ya all out there and give thanks for your support through all this years. Stay strong me people!
For S.U.B. made by D.S.
Објавениве материјалите се наменети за промотивни цели и лична употреба. © 2013 Авторот ги задржува сите права и секое неовластено објавување и препечатување на материјалите ќе се смета како повреда на авторските права на авторот и повлекува консеквенци за прекршителот.
Wednesday, May 15, 2013
S.U.B. Podcast #22 Mystic Trip (UK)
Please introduce yourself to S.U.B. audience…
Do you have anyone you want to shoutout?
Yeah, big up everyone for the support so far. Hope you guys are feeling what's still to come!
by D.S.
Tuesday, April 30, 2013
S.U.B. Podcast #20 Tim Reaper (UK)
Здраво. Today we have a young artist from the UK. I have noticed him after i have heard a couple of his tunes online. His style was completely different than any other young producer that i have heard. Suddenly i have discovered a few young producers that will be promoted in the SUB podcast series. This week S.U.B. Podcast #18 Tim Reaper (UK)
SUB: Hello, Tim. Could you please introduce yourself?
* My name’s Tim Reaper & I’m a jungle/drum & bass producer.
SUB: How did you get involved yourself into playing and producing music?
* I first found out about drum & bass when I was about 15, when I had to get two music magazines for an essay project in GCSE Media Studies and the two magazines I got were Mixmag & Metal Hammer. On the copy of Mixmag, there was a cover mix CD which Andy C had done and I was blown away when I listened to it, I’d heard nothing like it before, music with such energy.
After a few months on drum & bass, I discovered jungle by browsing MySpace for artists I knew & liked and I stumbled upon a fake DJ Hype profile, which had the tracks Super Sharp Shooter & Dred Bass on it. They were like none of the drum & bass I had heard before and I noticed that I was playing them more than the drum & bass, so I decided to do a bit of investigating and when I was 16, I decided that I would dive head first into what I soon found out was old school jungle.
SUB: Love the way that in your tracks can be heard a certain amen break that resembles to those a-breaks that were used in the 90’s. This became your signature, and you are already known in the jungle / drum and bass world cause of it. How did you decide, or came to this idea to use those certain drum kits, into nowadays production?
* It came from my aim to try & be as authentic sounding as possible, which involved seeking out a lot of the sample packs that were doing the rounds of the scene at the time, such as the Zero-G Datafile (& pretty much every other pack they did at the time) packs, the E-Lab Goldmine packs, the Best Service packs, the Kniteforce sample CD and all those CDs from the time. From those, you can get a whole load of great sounding samples, ranging from all sorts of sources and usually by sticking with those and not being too obsessed with making the tracks sound all shiny & modern & updated, you can get that authenticity in your tracks.
SUB: What equipment do you use for producing tracks?
* Right now, I actually haven’t got any equipment. Well, that’s not true I recently bought my first piece of kit the other day, an Alesis Q25 MIDI keyboard, but apart from that, it’s just a really basic setup consisting of my laptop & a pair of production headphones (Sennheiser HD 380s) I’ve had for about 1-2 years now.
SUB: By now you have released for: DSCI4 Records, Alphacut, Criminal, Digibeat Music, and Stepping Forward Records. Have you signed anything new? Future releases?
* On top of all that, I’ve got solo tracks coming on 117, Trace’s label which he started after he ended DSCI4, a track on Threshold’s label Dub Clinique, a remix I got asked to do of a Vybz Kartel tune and a track on a new upstart digital label called Thermosphere, think my one’s the first on that label.
I’ve also got collaborative releases coming with Dwarde on Omni Music, Parallel on Inperspective, Drumlinezz on Channel 82 & some other stuff coming on a new label I’m involved with called Green Bay Wax, keep an eye out for that one.
SUB: Your sound is much more experimental, but due to the fast growing and close combining bass music, you somehow manage to successfully sell that old school amen sound over new bass genre music. Its fucking awesome, how did you come to this idea?
* Well, one thing that I’ve noticed is that a lot more people like jungle than you think, but for the most part, they never really know where to go to hear it or where to find it or, like some of the people that I send tracks to weren’t getting sent any jungle, Trace for example, was only really getting sent a lot of neuro & tech when I decided to send him some of what I made and he wasn’t as aware at the time of the current jungle, but he got made aware.
SUB: What other music styles do you love?
* I’m quite a big fan of that juke/footwork stuff because usually all the stuff at this tempo usually gets thrown under the D&B umbrella, but that stuff is so far off from it, whilst still having that energy of the old jungle I love & make. by (D.S.)
Објавениве материјалите се наменети за промотивни цели и лична употреба.
© 2013 Авторот ги задржува сите права и секое неовластено објавување и препечатување на материјалите ќе се смета како повреда на авторските права на авторот и повлекува консеквенци за прекршителот.
SUB: Hello, Tim. Could you please introduce yourself?
* My name’s Tim Reaper & I’m a jungle/drum & bass producer.
SUB: How did you get involved yourself into playing and producing music?
* I first found out about drum & bass when I was about 15, when I had to get two music magazines for an essay project in GCSE Media Studies and the two magazines I got were Mixmag & Metal Hammer. On the copy of Mixmag, there was a cover mix CD which Andy C had done and I was blown away when I listened to it, I’d heard nothing like it before, music with such energy.
After a few months on drum & bass, I discovered jungle by browsing MySpace for artists I knew & liked and I stumbled upon a fake DJ Hype profile, which had the tracks Super Sharp Shooter & Dred Bass on it. They were like none of the drum & bass I had heard before and I noticed that I was playing them more than the drum & bass, so I decided to do a bit of investigating and when I was 16, I decided that I would dive head first into what I soon found out was old school jungle.
SUB: Love the way that in your tracks can be heard a certain amen break that resembles to those a-breaks that were used in the 90’s. This became your signature, and you are already known in the jungle / drum and bass world cause of it. How did you decide, or came to this idea to use those certain drum kits, into nowadays production?
* It came from my aim to try & be as authentic sounding as possible, which involved seeking out a lot of the sample packs that were doing the rounds of the scene at the time, such as the Zero-G Datafile (& pretty much every other pack they did at the time) packs, the E-Lab Goldmine packs, the Best Service packs, the Kniteforce sample CD and all those CDs from the time. From those, you can get a whole load of great sounding samples, ranging from all sorts of sources and usually by sticking with those and not being too obsessed with making the tracks sound all shiny & modern & updated, you can get that authenticity in your tracks.
SUB: What equipment do you use for producing tracks?
* Right now, I actually haven’t got any equipment. Well, that’s not true I recently bought my first piece of kit the other day, an Alesis Q25 MIDI keyboard, but apart from that, it’s just a really basic setup consisting of my laptop & a pair of production headphones (Sennheiser HD 380s) I’ve had for about 1-2 years now.
SUB: By now you have released for: DSCI4 Records, Alphacut, Criminal, Digibeat Music, and Stepping Forward Records. Have you signed anything new? Future releases?
* On top of all that, I’ve got solo tracks coming on 117, Trace’s label which he started after he ended DSCI4, a track on Threshold’s label Dub Clinique, a remix I got asked to do of a Vybz Kartel tune and a track on a new upstart digital label called Thermosphere, think my one’s the first on that label.
I’ve also got collaborative releases coming with Dwarde on Omni Music, Parallel on Inperspective, Drumlinezz on Channel 82 & some other stuff coming on a new label I’m involved with called Green Bay Wax, keep an eye out for that one.
SUB: Your sound is much more experimental, but due to the fast growing and close combining bass music, you somehow manage to successfully sell that old school amen sound over new bass genre music. Its fucking awesome, how did you come to this idea?
* Well, one thing that I’ve noticed is that a lot more people like jungle than you think, but for the most part, they never really know where to go to hear it or where to find it or, like some of the people that I send tracks to weren’t getting sent any jungle, Trace for example, was only really getting sent a lot of neuro & tech when I decided to send him some of what I made and he wasn’t as aware at the time of the current jungle, but he got made aware.
SUB: What other music styles do you love?
* I’m quite a big fan of that juke/footwork stuff because usually all the stuff at this tempo usually gets thrown under the D&B umbrella, but that stuff is so far off from it, whilst still having that energy of the old jungle I love & make. by (D.S.)
Објавениве материјалите се наменети за промотивни цели и лична употреба.
© 2013 Авторот ги задржува сите права и секое неовластено објавување и препечатување на материјалите ќе се смета како повреда на авторските права на авторот и повлекува консеквенци за прекршителот.
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