S.U.B. Interview with BRUV

SUB: Tell us how did you end up playing music? 

Long time ago, (in a galaxy far, far away) a friend of mine and my brother's brought his decks to digitalize some records. At that time beatmatching was kinda hard for me, but I wanted to learn. I had the chance to properly learn it at the 5k DJ Workshop, held by Darko & Dimitar. I was more into techno back then, even though I firstly encountered electronic music through drum & bass (LTJ Bukem's Progression Sessions). 


SUB: What types of equipment do you use for production?

I have no special pieces of equpment; just a descent soundcard - Steinberg UR12, which i bought recently and a two octave midi synth. I started my music production with the Steinberg's Rebirth 2.0, then switched to Fruity Loops, then switched to Reason 3.0/4.0 and then switched back to Fruity Loops.


SUB: Your music production seems genre free. You can't define yourself in a music style or you just like various types of music to produce to? 

I've been into various music genres in different periods of my life. I grew up listening to funk & soul, but later I discovered electronic music through drum & bass, techno & house. As I listen to whatever's playing, I try to deconstruct it; try to understand how the sound is made. Then, I try to recreate the sound, always using it differently. I never liked one genre, so always try to fuse more sounds specific for several genres in one music piece.


SUB: Do you have releases and future goals?

I have not released anything/ (yet.) :) I haven't gotten into it seriously, in my opinion. I'm working on several projects, some of then are drum & bass, some are house/techno. Of course, I would like to release my works, and I probably will, some day.


SUB: You are a part of two collectives, D2 and BTKRSH, and working under the aliaces as bruv. and Pukka. Which one of these music aliances defines you most?

I have been more involved in D2 than BTKRSH through the years. I like playing both drum & bass and house/techno. I often play sets from genres that influenced me as I grew up; from funk, soul, rare grooves to disco/house. I can't really say which alias defines me the most, they both define me as who I am and what I like to play. As dBride's EXIT Records slogan says, stay "true to the craft" :)


SUB: What music can be found in your playlist? 

I listen to various styles, as I said before. Aside from what I like to play, I set some electronica, some leftfield & IDM in my playlists. It depends on the mood, I guess. 


SUB: Current top 10

Pukka's favs: 
Break, Scar, Mako, Hydro, Ivy Lab, Eveson, dBridge, Machinedrum, Kyrist, Biome (and all their side projects)

bruv's favs:
Palms Trax, Orson Wells, Jeremiah R, Matti Turunen, Vertical67, Planetary Assault Systems, Blue Hour, The Gods Planet, Koloman Trax, Claro Intelecto.


Sub: Where can people hear you? 

Various locations, I suppose, there isn't any pattern :). My next two stops are 25.06.2016 at the "Public Room" gallery and 15.07.2016 at the D-Fest festival, Dojran. Recently, I have played at cafe Ljubov, Concept37 bar, RadioBar and the Kapan An club.



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SUB Interview with Codex

SUB: How and when was Codex formed?

We, myself (Phase) and Toxic, formed Codex in 1999. Things we had in common were love for drum n bass, computers and video games during mid 90's. Codex was a perfect way to start doing things together in order to learn from each other, improve our production skills and promote drum n bass in Serbia. 


SUB: What type of equipment can be found in your studio?

These days our studio is located in Belgrade and its packed with PC with RME Firewire 800 sound card as the main platform running Ableton Live 9 and Cubase 8.5, 2 Macbook pros for Traktor and Logic, Nord Lead 3, Virus KB, Allen & Heat Zen14, DBX 160A compressor, Mackie HR824 monitors, Audeze LCD-X headphones, Behringer uma25s, NI Maschine, NI x1,…


SUB: Who is the guenius behind the name of the label "Metnem"?

Both of us were using that term a lot since back in the day, its very powerful and uncommon in serbian language, so we decided to use it as an image of our imprint.



SUB: Metnem is a young label with a few releases. What is new for the label, have you signed any new artist?

We have MTNM003 release on the way, first Metnem release by Codex. It will feature Delta V, which is a real dancefloor smasher and Horde, a proper banger with weird drum pattern as a track carrier. We also have new releases by War & Skanz who absolutely smashed both tracks on MTNM004. MTNM005 will show 2 different angles of Bohemian's perception. As for Codex, we're currently working on a few EP-s and singles with Billain, War, Bohemian, VRH, Splash Heads while planning the big Metnem collab EP in 2017.


SUB: Do you plan on any colaburation with other dnb artist?

We were lucky enough to meet really sick likeminded people, love doing collabs with them! Metnem basically came to existance because of this and is based around artists we collab with but we're open for new artists & quality music. There are a few very interesting upcommers who keep sending us incredible beats.



SUB: Codex also poromoted a large number of drum and bass artist/djs, what are your most memorable parties?

We are doing this for 17 years now, we hosted so many parties that i cant really pick one in particular. From the top of my head our best partes were: Metnem label launch party @ Depo magacin, Noisia @ Akademija, Pendulum @ SKC, BadCompany & John B & Freestylers @ Kolos, Roni Size @ Depo magacin, BTK & The Sect @ Akademija, Dieselboy @ Mondo, Chemical Brothers @ Kombank Arena, Raiden @ Akademija...


SUB: Any new gigs coming up?

There are a few cool gigs ahead. June 17th we're taking over Barutana with Roni Size & MC Dynamite, june 24th is reserved for Exit club in Brno, Chezh Republic followed by a gig in Germany next day.. we're planning something big for november in Belgrade and a few international djs until that.


SUB: Why do you love Drum and bass ?

Because it represents energy and movement. Its a sound of rebellion in our case. During the war and bombing of Belgrade, drum n bass kept us alive and motivated us to do things instead of just sitting on our asses and bitching online. It helped us create a local movement that's still growing and leaving marks on the whole generation.


SUB: Your curent top 10 tracks

Billain - Codename (Metnem)
Hydro & War - There Will Be Bongos (dub)
Cruk - Dum (dub)
Bohemian - Rotten Raw (Metnem)
War & Sk4nz - Bismuth (Metnem)
VRH - Let's go back (Metnem)
Kursa & Faek - Behind This Door (Methlab)
Splash Heads - Skywrath (dub)
Kemal & Rob Data - Konspiracy (Industry)
Codex - Delta V (Metnem)




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S.U.B Interview with Spikey Tee

SUB: As a performer you have 27 years of experience. What were your beginnings like, who were your role models, what got you hooked on music?

My beginnings were pretty straightforward to be honest, it all started from being in my cousin's sound system (First Choice) to seeing 2 turntables being used for the first time then seeing mixing at my sister's 18^th birthday party.. I was totally enthralled. From there it was a progression into my first band the Sindecut to where you find me today. I don't really have role models because that puts some people in a position they don't particularly want to be in, so in that respect I would say my only role model is my dad.. It was actually my dad who started me playing records aged 4, he said I had a fascination for his turntable so he taught me how to put records on. The rest is history.

SUB: Could you name some of the artist that you have collaborated trough years?

Goodness me the list is a long and varied one, from Jah Wobble to Morcheeba, Roots Manuva, Dizz1 and many others in between. On the DnB tip, DJ Hype, Crystal Clear, Potential Bad Boy, Lynx, DJ Suv, Rido, Calibre and Marcus Intalex,Congo Natty, Marcus Visionary...

SUB: This year is probably special for you, since after years of collaborations you are ready to drop your solo album. Could you tell us something more about it?

To be honest, every year you can remain active is a special year, but I have been working on some tracks for a solo DnB album, but every time I post a snippet up a label wants to sign one of of them hahaha. Not a bad position to be in I guess, but when you have them earmarked for another project it pushes that particular goal further back. It is a good  indicator to your progression when labels start showing interest and when good guidance is given by your respected peers that also helps you to keep working hard to improve.

SUB: Do you think that the producers and the labels give enough acknowledgement to the guest singers/mc on their tracks?

Some do.. Some don't. It is a pitfall as a featured artist, it is rare that labels/producers work with and develop featured vocalists. For the reasons why you will have to ask

SUB: What are your most favourite moments in your career, while on stage?

There are so many good moments logged in my memory box, but ones that stand out are walking out on stage at the Royal Albert Hall to perform with Morcheeba and seeing how immense that auditorium is.. A moment of panic, but just a moment. Another is having Bjork rush to finish her show on the main stage at Glastonbury to hear a band I was working with play, but most special is having my parents in the audience at a Jazz Cafe gig when I was one of the vocalists for Jah Wobble..

SUB: Could you describe the feeling to own the crowd as an MC?

I don't know about owning the crowd, but if you mean the feeling of connecting with the audience and have them actually absorb a performance? That feeling of those moments are special because they are so intense at that time, but vanish to memory and into the ether as quickly as they appeared.

SUB: Cause you are my first interviewee that is based in Australia, can you tell us something more about the jungle/dnb scene there?

I am not directly involved with the Australian DnB scene, but observe it from a distance. It is small and doesn't really cater for the wide spectrum this genre we love encapsulates. In addition to that there are not many venues that support the music because the number of people who attend the events is very sporadic even when the more known names pass through, but will say the Melbourne crews are on point. Grumpy's family every time.

SUB: Why do you love jungle/dnb music?

I love this music because it captures the vibe of so many of my influences of growing up in the UK particularly sound systems and Jamaican culture. All of my musical influences are woven into it's fabric and it is always moving in many directions. Another beautiful expression of emotion and art.

SUB: What was your most favourite meal during your tours?

I don't really have a favourite meal, but like to eat as healthily as possible and avoid fast food if it can be helped. Thai, Indian, Japanese... Well cooked meals are definitely important.

SUB: When was the last time you danced at a party?

I dance at every party.. What's the point of going to a part and not dancing?

SUB: What's next for you?

Next for me is some travelling around the states, recording some tunes with Truth here in LA, I have some releases on Wicked Jungle (Florida)and Higher Energy Recordings (UK) and a couple of other labels interested in other tracks, an album of songs which is a non DnB project, going into the studio with one of the Teklife family, looking to do secure DJ bookings for my return to Europe this summer... So holla at me people hahaha, and possibly line up some more gigs with Ltj Bukem.. The plate is kind of full.

  

SUB:What do you think about the new emerging sounds - footwork, juke. Do you  follow the evolution of Jungle, dnb bass music?

I love the way music evolves and take hold with people around the world. The formation of movements that turn into families and communities is a great thing. The breakout of Juke/Footwork is a testimony to all the hard work the producers and followers have put in over the years. Without Jungle we wouldn't have DnB so the division that exists baffles me, but I leave it to others to make their own distinctions. It is all music and it's all related at the end of the day.

SUB:Thank you for doing this interview.   

My pleasure. Thanks for asking me to contribute.

S.U.B Interview with Rodrigo Miravalles

Its has been awhile since SUB released his last interview. Now, when we are so close at our first jubilee (100 podcast), we will release several interview with guest artist in the next couple of weeks. 

Our first guest is Rodrigo Miravalles, DJ alias - Suvo OKO. Rodrigo comes from Brazil, and somehow ended up living in our own town Skopje this for a few years. Rodrigo tries to promote his own passion of modern sounds from Latin America with a bit of twist from several music genres from Angola and Portugal. So, enjoy our first guest. Also you can catch Rodrigo playing tonight at Kapan An  on a BTKRSH event : https://www.facebook.com/events/176377202752603/



SUB: Who is SUVO OKO?

Suvo Oko is a project I started when I moved to Skopje. The idea behind it is to promote a different side of Brazilian culture, not the one people are used to see.


SUB: What types of sound do you present,why?

I try to present a variety of sounds coming from Brasil, both new and old, but I prefer to focus on more recent and alternative productions. There’s an incredible experimental scene going on in Brasil in the past years and that’s something I really like and I’d like to bring some of that music to the Macedonian audience.


SUB: Is it hard to push your sound here in Skopje? 

I can’t say it’s easy, but I won’t say it’s hard either. Maybe I haven’t tried hard enough or haven’t looked in the right places. Obviously, in big cities, where there’s a big community of foreigners, latinos, africans and so on, it’s easier because it’s something that’s already part of their culture. But I believe this music can work in Skopje.


SUB: What do you like about the nightlife in Macedonia?

I like the nightlife in Skopje because I think it’s very tight and although the city’s not big, there’s a lot going on and I really feel the people are enjoying and taking part and making things happen.

SUB: Since you are here for a while, what is your favorite Balkan dish?

My favorite food by far is sarma. After that tava, and all those other mandza style dishes. 


SUB: Do you dance, and when was your last time to dance.

I dance every single day, by myself, at home. These days I'm doing most of my dancing at home, to be honest.



SUB: Where can people listen to you in Skopje?

My radio show on Kanal 103 is on a break right now but i’ll be back very soon. As a DJ, you can find me every now and then playing in Skopje, but it’s not something regular. Follow my FB to see where I am  :)  (https://www.facebook.com/suvo.oko/)

S.U.B. Interview - Hans SHC [MK]

Hans SHC is the new dj addition to Macedonian drum and bass crew D2. Started of in a Dj workshop where he showed high interest and fast-pace learning. After several years and gigs later, Hans SHC upgraded his technical skills with scratching. He is also know for his great musical selection. SUB decided to ask him several questions. 

Sub: What got your interest in becoming a Dj?

Hans: I was surrounded by music since I was a kid and music had a lot of influence while I was growing up so I was always intrigued by how it was made and how it was presented. In my teens I was listening to a lot of hip-hop and a big aspect of that music was DJing. So when I started to get to know Drum and Bass as music, the interest for DJing sort of transferred into that also, seeing as DJing is a big aspect of DnB also. As time passed by I was more and more intrigued by the aspect of DJing and I kind of felt it was the natural way for things to go. A real opportunity opened up for me when I joined the first DJ workshop that Hypertech and Darko Stepic held. That’s where I really got into turntablism and started getting serious about being a DJ. 

 

Sub: What have changed for you these couple of years since you have started spinning vinyl?

Hans: A lot. It’s way more different when you just listen to music and when you try to present it in a way of mixing. When you DJ you have to keep the energy up, especially in fast paced music like Drum and Bass so you get to see the songs differently. A song that sounds nice when you listen it home doesn’t necessary mean it will sound good when you play it in a club and vice versa. So a whole new aspect of listening to music opened to me. 

Sub: What types of music do you like listen and spin, and who are your favorite producers? 

Hans: When I’m home and I’m listening to music I don’t really stick to one genre. I enjoy hip-hop, disco, funk, soul, stuff that deliver that old Motown sound. Since I started spinning my taste in DnB has changed a lot. In the beginning I was into a lot of atmospheric, liquid funk, jump up. But that changed since I started playing at venues. It’s not that I don’t play that music anymore but I do it more rarely. Right now I play a more techy sound of DnB and also I have big love for amens and breaks, because that’s the music that really gets the crowd going. Lately I try and push some abstract hip hop and footwork into my sets and I think it sounds nice combined with DnB. I try to do something interesting every time I play and see how the crowd reacts. Sometimes it works out, sometimes it doesn’t.

Some of my favorite DnB producers are Break, Enei, DJ Marky, RoyGreen & Protone, Lenzman, Jubei, BTK, Optiv, DLR, Emperor, Phil Tangent, Calibre, Ivy Lab, Chroma, Stealth, Jazzatron, Maztek, Need For Mirrors. I love the sound that labels like Critical, Symmetry, EXIT, ProgRAM and Metalheadz put out. 

Sub: In your progress as DJ you have picked up a scratching skill, rare skill barely used by drum and bass djs in Macedonia. From where did you picked up the love for scratch? 

Hans: Scratching is something I started doing as of late and I hope I’ll get better and better. One of my biggest inspirations is DJ Marky and I consider him a real Don in the ways of DJing. His technical abilities are something which I aspire to reach one day and also I love his whole concept of scratching to DnB. It inspired me to try and see how I can develop my own style of scratching. I also saw DJs Oky Doky and Drazi Drags scratching at our resident parties “4Decks Extravaganza” and that really helped me to get better.

Sub: A certain change was noticed in your sets. You have started playing tunes highly pitched, which (again) is not usual for most of the drum and bass djs in Macedonia. Is it a new trademark?   

Hans: It’s something that I haven’t really paid attention to really. I guess when you go out in front of a crowd that expects to party to fast sounding beats you try and push it as far as you can. 

Sub: Are you satisfied with the current state of the drum and bass scene in Macedonia? 

Hans: Things can always be better. I’ve been doing this on a more professional level for almost 5 years now and back when I started I think the scene was better. It’s up to us, the DJs to keep things going and get more people to fall in love with the sound. We try to book guests that people will want to hear and present music that they will like. It’s hard sometimes when you see how little people appreciate the effort that you put in, but at the same time it inspires you to get things going again.

Sub: Your favorite DJ gig by now? 

Hans: It was in 2012 when I played at the Broken Balkanz Festival in Sofia, Bulgaria and it was a back to back set by Calyx & Teebee. They had 6 decks, 2 mixers and sounded absolutely perfect. It’s something that I keep telling people about to this day.

Sub: What can be found in your vinyl collection, and what is the last purchase you have made? 

Hans: I got some new stuff from Good Looking, the Jazz’n LP, I got couple of EPs from Stealth on ProgRAM, Hello World EP from Emperor & Mefjus on Critical, also something from Frek4nc, Octane & DLR and Random Movement. The latest was Boys/Jelly Bean from Need For Mirros on Zoltar, Stealth’s Alliance EP on ProgRAM, and Mindscape – Gene Labs (Optiv & BTK Remix) / Truth Hurts (Maztek Remix) on Commercial Suicide.

Sub: Where can people see you play? 

Hans: I’m part of the usual Saturday resident rotation at Kapan An and my next gig will be alongside High Roll and the legendary Grooverider and DJ SS on the 23^rd (Friday) at Kapan An. If you liked the mix make sure you come to that party, because there’s more where that came from! 

by D.S. 

S.U.B. INTERVIEWs - TeckTone [MK]

You have played in a lot of places. Do you have any favorite party?

Honestly, every gig is a special experience for me, no matter if I play abroad or have local gig. Yes, I played in Athens, Sofia, Zagreb… With big names in the scene such as Cause 4 Concern, Nymfo, Mefjus etc. …  I can’t pick a favorite party, I love to play for the ravers here in Skopje, but I must say that the crowd in Leskovac, Serbia makes one of the best atmospheres too! Pure vibes! Will gladly spin there again!

From that “kid” from the parties, you managed in few years to build yourself into being dj and host of a radio show. Was the effort worth it?

 

I’m glad You ask me this question. Effort and working “on the case” is important, but not so much as the commitment, sincere love and sacrifice for the music! Those three are essential if You want to be fulfilled, happy  and respected for Your work! Yes, I went from the dance floor into the dj-booth, but before I ever had the chance to spin some tunes in the club, firstly I explored drum & bass music and lifestyle for 5-6 years, in all of His flavors, bitter and sweet… Since my first public appearance I constantly upgrade myself as a dj, radio show host and promoter, because You know, it’s a true jungle out there and You’ve got to endure the struggle! “Is it really worth it”? Of course m8! I’m pleased with my achievements and where I find myself now, but I won’t stop here…

What was the turn point for you to show interests in being a dj?

-There was no turn point, it came like a natural progression to me, since I first become a radio dj, then a club dj. Also, many of my m8’s were into the deejaying already, so Our hangouts included mixing practice too.

Together with Aleksandar Nikolovski – Nultabyte, for 4 years you run the show “Neuritmix” on StudentFm here in Skopje.  How did it all start, and are you happy with the outcome of the show?

Bas(s)ically, We shared similar taste for d’n’b, so that’s why Nulta invited me to run the show together. He started it, had 6 episodes alone, now We have 180. The show goes on air and streaming every Wednesday, from 20 – 22pm., promoting mostly deep, dark and neurofunk oriented drum & bass. We had many guests mixing live and/or presenting they’re music, dozen of guest mixes too. Every year We have a birthday bash to celebrate the existence of the show, first was with massive line up of almost every local drum & bass dj, second and third were with regional artists L33(Bulgaria) and Bitz (Serbia), and for the fourth We brought Linden, dj and producer form Belfast - Ireland, here in Skopje. Established Ourselves in the local drum & bass scene, We are well recognized by the public. The outcome is totally positive, and yes, I’m pleased with it! Continuing forward, We'll see what the future holds…

Everyone who ever started listening to dnb usually has a first favorite song. What was that first song for you?

Hmmm… This is a hard one… But If I must pick just one, I would say Bad Company – Bullet Time (Spor rmx)! Still my favorite! Included in this podcast! Yeah! 

You probably listen to lot of tunes; tell us your last favorite artist and tunes name a few.

I’m constantly “digging” for fresh tunes and checking out new producers, for my radio show and to play in the club as well! But I never forget the “good old bones” like: Audio, Phace & Misanthrop, Noisia, Nymfo, C4C, Zero Method, Icicle, Optiv, Technical Itch, dBridge, Survival, Commix, Calibre, Big Bud, Amit… (To answer the question) Couple of producers that catch my ear these days are: Billain, Mefjus, Amoss, Allied, Inward Phase, Roy Green & Protone, Skeptical, Neonlight, Wintermute, Inside Info, Akov, Fade, Disphonia, Ben Kama, Teddy KillerZ, Hybris, Fre4knc, Ruffhouse, TR Tactics... As for tunes, check out these: Billain – Colossus / Neonlight – Kosmonaut / Amoss – Calokan / Hybris – Night Boss / Ben Kama – Silence Is Golden / Disphonia – War Bunker / Akov – Crude Tactics / Mefjus – Continuous / Ruffhouse – Pellet / Fre4knc – Marching Cube VIP / TR Tactics – Gloom.

Where can people see you play, any future gigs, travels?  

 I play mostly in Our local drum & bass stronghold – club “Kapan An” in Skopje, at least once a month. Drum & bass party’s are happening there every Saturday night for years! I have monthly residency called “Bassothèque” in club Wire, Kumanovo too. Will play in near future abroad in Serbia: Leskovac again, Novi Sad is also on the agenda, and maby in Belgrade too. I’m already booked for New Year’s Eve in club “Kapan An”, welcoming the new 2015 with bass! See ya’ on the dancefloor m8’s! CheerZ!

S.U.B. Podcast #65 Interview with Rim Runner (SRB)

SUB: What was the first point you have realized you wanted to play/make music.

I think it was ADF ( Asian Dub Foundation ) Concert @ EXIT festival 2002. Energy of that gig move me to start DJ'ing and try to recreate the thing I am still trying :P

I started making music in Abu Dhabi in 2008, mainly because I couldn't work as a DJ because of workload at my day job, and during the summer was WAY TO HOT outdoors to do anything. Friend of mine gave me the copy of Ableton LIVE and I started in my bedroom, using integrated soundcard and a pair of headphones, because i shared apartment with 5 more people :)

SUB: Tell us something more about the project Dready Against Babylon (D.A.B.)

D.A.B. is a platform where i can play with anything I like, regardess of music style. or any restrains, bouth original work and remix. Name came from first reggae soundsystem Gaggie Selecta ( Dragan Stajnic, bass player of Apatride F.S. and me found in 2002 ) After a year , we split but the name and logo done by Saša Tkačenko stayed. I have an idea to extend this platform to free label for similar artist and ideas. And, it will allways be free :)

SUb: What equipment do you use for you live acts and music creation.

In studio, i work with a M-Audio Fast Track Ultra, a pair of Mackie MR5's and Ableton Live. I just renovated studio i build at my home in Belgrade cupple of years ago, and i finaly have a chance to connect all the toys i colected over the years. For live act i build a setup : Lenovo Idea Pad Y570 Intel CORE i7, 8gb RAM,Ableton LIVE 8, 2x Novation Launchpad controling

128clips ( 6 scenes ) drums/, baselines/pads/leads/ atmos and vocals, Apple iPad 2 with M-Audio Oxygen 25 MIDI Keyboard , M-Audio X-session pro for FX control / Ableton mixer and Beringer XENYX 1002FX Mixer. This setup alowes me to play with all my favorite samples and instruments on the fly and i think it's also very interesting for people at the show. I hope that Macedonian crew will have a chance to joudge that in months to come :)

SUB: Your opinion about the curent state of the dnb/reggae culture in Serbia?

DnB culture need young blood all the time. There is a whole bunch of young new dj's who are carrying the thing at the moment and that's the way how things should run. On the other side clubbers in Belgrade are very spoiled. One week there was a LTJ Bukem doing a open air party and it was pack. Two weeks latter - same club, nice weather, perfect soundsystem, AMAIZING Serbian DnB lineup and......4 times less people. And local artist also need support. But I guess it's like that everywhere.. We have very good Dj's and producers at the moment , bouth young and well established ( CODEX, Bitz, Untah Selecta / Euphorics, Bo_JAH Mc, Coby, Shiny D, LMS, Tjamil, Rahmanee, Side ONE, Necone to name a few), but this culture needs support from the clubs / promoters / pary people - at hte end, it's all for them.

On the other side , we have cupple of the best REGGAE bands / projects in Europe this days ( Apatride F.C., IRIE FM, Hornsman Coyote ). But my felling is that they are more respected outside Serbia then in own country.

SUB: What was the most awsome party you have played at?

I remember few :) I did one Wedding afterparty @ Kapan An ( Skoplje ).We had a madness wedding all day long and in the and i played in my suit with a tie at 2.30 am in front of verry crazy jungalist crew. And have some Simit pogaca ( google it ) at 6 :) 24 h of party.
SUB: You are covering lots of music genres (dub, dnb, reggae, dubstep, jungle etc.), do you have any new favourite genre?

I like to start my set with DUB and build it from there to 175 BPM....what hapen latter is a matter of moment and comunication with a crew on the party :) If i feel that crew is in mood for jungle i will go that way. In the end , it's all about people ( and me ) having a good time..

SUB: How important is music in your life?

 :)

SuB: Why dnb?

It's right BPM for my soul :)

SUB: Future plans?

Now when studio is finally done, some remixes, some original work ( album ? ). I just realize that I have 20+ Ableton projects witch needs to be finished any time soon. And LIVE act project is also very fun..we shell see, i can just promise that I will work hard this winter :)
SUB: How was the scene in Abu Dhabi?

Scene is much more smaler, but it's very united. People who play/ listen Techno / Minimal will come to DnB Party to support each other. Equipment is shared, and partys are HUB's for all people who dont want to listen commercial shit in mainstream clubs. And there is a thing witch diferent nationalitys and sharing the ideas. Big Up for my good friends there , hope to see you soon :)